Monday 31 March 2014

HOW I MET YOUR MOTHER FINALE



So after nine seasons, 208 episodes, and dozens of catchphrase-making moments, How I Met Your Mother bowed out in glorious – if not controversial - fashion.



MAJOR SPOILERS AHEAD.



Throughout the finale, we sit through future Ted – now voiced by an aged-up Josh Radnor, rather than series narrator Bob Saget – taking us through the highlights of ‘the gangs’ lives from the time of Barney and Robin’s wedding, to the year 2030. We see the idea of introducing the still-unnamed-wedding-band’s-bass-player to eternal bachelor Ted pop’s into Barney’s mind. Barney promptly attempts to play a game of – you guessed it – “Have…. you met Ted?”. Unfortunately, Theodore is still leaving the wedding, ready to make the move to Chicago in the morning. A tear-jerking goodbye follows (as well as the ‘highest of fives’).

However, the next day Marshall and Lily realize that Ted has in fact not left for Chicago, and is rather enjoying a drink in McLaren’s bar instead. You know, his usual past-time. Ted explains that he in-fact met that bass player, and promptly call her, asking her out to dinner. Marshall laments that Ted is moving way too fast (pulling a Ted Mosby), but the ever-insightful Lily knows the truth: this one is different. This one is Ted’s destiny.

Throughout the episode, we see a brief recapping of the next 17 years leading up until the year 2030. Barney and Robin’s marriage lasts only 3 years. Marshall and Lily move back to NYC from Rome, where Marshall takes a grueling corporate lawyer, until he finally gets the call-up to becoming “Judge Fudge”. Oh, and they also have a third kid.

Speaking of kid’s: after completing a prefect month (31 nights in-a-row of sexual conquests…), Barney discovers that one of his one-night stands is with child. And, initially reluctantly, Barney discovers that his new daughter is in fact, the love of his life.

Alternatively, Robin lived a much more independent and lonely life. She indeed travelled the world, becoming a famous journalist, but her inability to be around her ex-husband, as well as her realization that the real love of her life, TED, had finally found ‘the one’, she distanced her self from our favorite gang for many years. Only when forced by Ted’s bride to attend their wedding, does Robin finally reach a place where she can re-insert herself into her friends lives.


The show quickly shows us the rest: Ted marrying the mother, the pair making a family and sharing many Christmas day’s in marital bliss, and finally… the mother in hospital…

Flashback to Farhampton. Ted finally has the balls to approach the bass player. It’s raining, so she invites him under her umbrella. Her yellow umbrella. A discussion ensures, from everything including Ted’s first university lecture (ouch…) to the ownership of the umbrella, which features the initials T.M. Ted claims them to be his initials, but they actually stand for Tracey McConnell.

The mother’s name is Tracey McConnell.

Then, in the year 2030, an aged up Josh Radnor explains to his kid’s, seated on the couch in front of his desk, that this is how he met their mother.

Now most fans would have been satisfied if the show cut to black right now. Unfortunately, Ted’s two children disagree with him: the story was never about their mother, who was only featured briefly. It was rather about their ‘aunt’ Robin. Ted was actually sub-consciously hoping for their permission to start seeing his former flame, as it had been six years since his wife Tracey had passed away.

And so, future-Ted shows up at future-Robins apartment, equipped with the blue french horn.

THE END.


Before i continue, i'd like to make two... comments.
  • Firstly, Cristin Milioti has been a revelation as Tracey - the mother. The build up to her casting left the weight of the world on her shoulders, but her warmth and intelligence has proven the best casting decision the show has ever made. Neil Patrick Harris included.
  • Secondly, whilst the high-profile NPH and Jason Segel often get most of the recognition from the show, i would put forward that this episode proves how important and brilliant the casting of Josh Radnor has been to the success of the series. Radnor has been the most consistent cast member, and had it not been for the actor's self-depreciating and soulful performance, we might hate Ted by now.


There are two major points id like to mention about the ending to this beloved sitcom. One pro, one con.

Firstly, when the ending was originally conceived (back in season 2, when Ted’s children’s scenes were filmed just before the actors hit puberty…), the ending actually worked brilliantly. We weren’t too attached to the idea of the mother, and Robin and Ted were a brilliant couple. Season 2, which showcased a fill season of Ted-and-Robin, is possibly the shows strongest. Even after their breakup, the show’s ending theoretically still worked up until season 6.  Unfortunately, the show was a major success, and in US television, when a show makes it past it’s sixth season, that is when the cast and crew actually stand to make the most money off their contracts. So with their ratings, and the resulting pay rises to the cast and crew, its no surprise the show dragged out until 9 seasons.

This resulted in the souring of any love for Ted and Robin’s relationship. By season 8, it had become too toxic to root for any longer. On top of this, before we even met her, Ted – and us - had slowly but surely fallen in love with the mother. She was quirky, fun, and shared many interests and habits with the show’s leading man. To put it simply: she was Ted’s better half.

So to show Ted move on with Robin after Tracey had died seems like a cheat, and will leave a bitter taste in many fans mouths.

On the other hand, it’s worth mentioning that, as the mother eventually realized, its possible to have more than one “the one”. Her first “the one”, Max, died during the early seasons of the show, leaving Tracey in an emotionally-raw place for much of the time-frame of the show. If Ted and Tracey had met in, say, season 4, it is likely they wouldn’t have ended up together. Tracey wasn’t ready for Ted. YET.

The reason why Robin and Ted didn’t work is that they initially didn’t see eye-to-eye on what they wanted from life. Robin didn’t want kids. She wanted to travel the world, work, and she eventually couldn’t settle for Ted because of her feelings for his second-best-friend, Barney. Ted wanted kids desperately. He wanted a quite life in New York City. And he eventually fell in love with Tracey.

(For the record, I never bought Barney and Robin as a couple. The hooking up and eventually dating was inevitable, but their progression past season 5 seemed like the producer's were killing time. Robin's one true love was always going to be Ted, although i rate Victoria - not Robin - as Ted's second best love interest throughout the show's run. The first of course being the mother.)

So by the year 2030, both Ted and Robin had checked off their lists. Robin had travelled the world, become a famous journalist, and eventually settled down in NYC. As mentioned in earlier seasons, she also got along with Ted’s children famously. Her relationship with Barney didn’t work out. For completely different reasons, Ted’s relationship was also now over, but through that relationship, he was given everything that Robin couldn’t: two children, a normal, suburban life, and many years with the woman that would turn out to be his better half. And now that Robin has had everything that she couldn't have whilst being with Ted, the possibility that they could final happiness together does sort of make sense.

So as controversial as it might be, the idea that Ted and Robin could eventually end up together, in the end, isn’t as silly as you might make it out to be.

JA.

Friday 24 February 2012

review - Big Scary "Vacation".

So, after being blown away by them on multiple occasions, i decided i owed Australian duo Big Scary a full album listen. And it was possibly one of the best decisions i have ever made.


Big Scary's 2011 release Vacation is an intriguing album. The musical landscape is filled with possibilities, and to their credit, Big Scary explore much ground in little time. Unfortunately, the need to be obscure and unique sometimes makes Vacation seem slightly repetative. Luckily, the album has a knack for picking itself up regulary, and any boredom fades away quickly.


At times, Tom Lansek's vocals come across as raw and untamed, whilst at other times Tom's haunting melodies hit a nerve so tender that you'll forget everything about who or where you are, and just melt into the music. Drummer Jo Syme is solid throughout the album, and seems to be the structure throughout the album, a role that she pulls off seemlessly.


Perhaps the iconic feature of Vacation is the guitar work of Tom Lansek's. His ability to move from frightening, powerful, smooth and hauntingly beautiful guitar licks, whilst also slipping into a full explosion of powerful rock, is what sets Big Scary apart from other Aussie Indie groups. Whilst he is a little reserved on the album, Tom's guitar work is explosive live. A true treat for any lover of indie rock.


Big Scary have proven that they are going on to bigger and better things. Expect big things from this Victorian duo.


Big Scary - Gladiator.



Listen: Gladiator, Purple, Mixtape.



THE DILLEMNA


Oh crap. I'm in the car, driving along the Bellarine highway, when the clouds suddenly part. I nearly forget that I'm driving a hundred FREAKING kilometres an hour and make a nice little swerve. This has left the poor fella driving behind me no doubt questioning why those crazy P Platers are even allowed on the roads. At this point though, i don't care, because the realisation that the Soundwave music festival is one week away has finally hit me. 


As some one with a massive range of music taste (Bon Iver sits awkwardly yet politely between Blink-182 and Breaking Benjamin on my IPOD), Soundwave is a clear opportunity to satisfy the harder rock cravings my ears have developed. As someone who doesn't have thousands of dollars to go to every music festival, I generally make myself choose between the big three: BDO, FUTURE and SOUNDWAVE. Big Day Out is generally the no-brainer, but the impressive diversity of the Soundwave timetable has this particular festival marked as unmissable in my calendar (OK. This "Calendar" is theoretical. I don't actually have a calendar, unless... does my iPhone calendar count?)


So yeah, i'm getting excited. Not only for Soundwave, but for the fact that another monster music festival, GROOVIN' THE MOO, is sneaking up in a couple of months. Now this festival caters to my more 'INDIE' needs. I'm nearly peeing my pants at the excitement of seeing some of these dudes playing. And it will be the third time i would have seen Australian group BIG SCARY play. For anyone who hasn't seen this dude/dudette duo play, they are insane. Seriously, insane. And now i've got Gladiatior stuck in my head... ("But you know what's IN MY HEART!")


Now for all you creeps out there, here is an indication of where i will likely be all day...


Now i have to say, the one thing that always blows about music fests are CLASHES! No matter who you are, there is always one clash that has you pulling your hair out and crying like a little girl. For me, there is one main clash. My desire to see System Of A Down, Angels And Airwaves, and VersaEmerge is frustrating me to no end. All i can say is that you had better impress me, Tom "that dude from blink 182" Delonge.

JA

Thoughts?

Sunday 19 February 2012

THE LAST STAND.

WHY A COUPLE OF OLD-SCHOOL ROCK STARS AND A BUNCH OF INDIE KIDS ARE ALL THAT STANDS BETWEEN DANCE/POP/CRAP MUSIC AND WORLD DOMINATION----------


The strength of the indie music scene is a hard kick-in-the-balls for the commercial music industry. Bands like Stonefield, Big Scary, Loon Lake, Children Collide, and Calling All Cars are proving just how much depth and range the Australian music industry has to offer. Sick Puppies, a Sydney bred trio and graduates of the Triple J UNEARTHED competition, have gone on to achieve international success with their hit alt-rock singles "All The Same" and "Maybe". All-sister rock outfit  Stonefield were chased after to play at Glastonbury last year after their EP 'Through The Clover' struck a chord with fans. This proves that you don't have to show off Christina Aguilera's boobs whilst ripping off Jagger's moves to make smart, relevant music that people will give a crap about. And indie rock is becoming more important every day in the screwed up music scene.
STONEFIELD - THROUGH THE CLOVER 

Unless you've been living under a rock for the last ten years, you must be aware that the age of guitar-based music is slowly ending. Rock'n'roll, once the only type of music that anybody gave a shit about, has now been reduced to the obscurity of the underground scene. Meanwhile, the plague that is modern pop music (working in conjunction with Nickelback), has been allowed to spread throughout the world, slowly sucking the life out of what once was the core of our society. 


The reason why the indie music is gathering momentum in society is because people aren't stupid. They identify with powerful, creative music and honest, playful lyrics. If you listen to 90% of mainstream dance music, you can tell the lyrics and music were essentially ripped off a hundred similar tracks, and were pretty much all written by some dude called "Dr. Luke."


Let's get something clear: the issue isn't necessarily dance music. It's that commercial dance music has no talent, skill, variation or creativity. The one thing about music's rock age was that there was originality in the market. Rock bands who became household names (See Rolling Stones, RHCP, Silverchair) were defined by their electric guitars, glorified frontmen and catchy songwriting. But now, the lack of variety and mainstream representation in the rock genre is startling. 


Through the decades, every rock sub-genre that rose to prominence had an impressive variety of artists. Rock'n'roll. Underground punk. Grunge Nirvana. The pop-punk resurgence. Pop-rock. The many bands that rose through these genres have come and gone. Though some of these outdated bands are still together, they have all either turned their back on mainstream music (see Blink 182, Radiohead) or are just passed their prime (RHCP, Green Day).  
NOEL GALLAGHER'S HIGH FLYING BIRDS
 - THE DEATH OF YOU AND ME

Dave Grohl (Nirvana, Foo Fighters) and Noel Gallagher (Oasis, Noel Gallagher's High Flying Birds) are perhaps the only two men left who are both real rockstars, currently relevant, and mainstream successes. Because of their mainstream successes, both will always cop shit from critics. It's called Tall Poppy Syndrome. The perfect example of this is Noel's whiny brother Liam (the voice of Oasis, but not the talent) was critical of his older brother's work.


"One Word. Dido." - Liam Gallagher, Twitter.

 Though some may fault artists like Noel Gallagher, he is one of the only things keeping guitar-led music in the public eye. For without the likes of Dave Grohl and Noel Gallagher, the closest thing we have to a modern rockstar is...


Katy Perry. Because let's face it. She rocks better, harder, and with more dignity than the dude from Nickelback.






JA.








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